Music
The film features an actual overture after the fashion of a live theatrical extravaganza. The 20th Century Fox Orchestra is arrayed before the camera to perform "Street Scene," conducted by its composer (and Fox studio music chief) Alfred Newman. This serves to highlight CinemaScope's new four-track magnetic stereophonic sound system and widescreen visuals. The orchestra appears throughout in wide shots and there are no closeups of any of the players, nor of Newman. At the conclusion of "Street Scene," Newman turns to take a bow before launching into the "Main Title". The orchestra reappears briefly for the "End Title", also an arrangement of "Street Scene".
Newman originally composed "Street Scene" for the film version of Elmer Rice's play Street Scene (1931), a portrayal of New York (which explains its distinctly Gershwinesque flavor, a la Rhapsody in Blue), and used it in numerous subsequent New York-based films (The Dark Corner, Kiss of Death, Cry of the City, I Wake Up Screaming, How to Marry a Millionaire). Much of the rest of the score for How to Marry a Millionaire consists of similarly familiar, preexisting compositions, including several pieces composed by George Gershwin.
The music soundtrack from How to Marry a Millionaire was released on CD by Membran International in 2004. The film's arrangement of Newman's "Street Scene" was performed in 1973 by National Philharmonic Orchestra, conducted by Charles Gerhardt, for the album Captain from Castille - Classic Film Scores of Alfred Newman, accompanied by a booklet in which Page Cook chronicles the background of the piece.
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