Production
How the West Was Won was one of only two dramatic feature films (the other being The Wonderful World of the Brothers Grimm) made using the three-strip Cinerama process. Although the picture quality when projected onto curved screens in theatres was stunning, attempts to convert the movie to a smaller screen suffer from that process's technical shortcomings. When seen in letterbox format the actors' faces are nearly indistinguishable in long shots.
John Ford complained about having to dress such huge sets since Cinerama photographed a much wider view than the standard single camera process to which Hollywood directors had become accustomed. Director Henry Hathaway was quoted as saying, "That God-damned Cinerama. Do you know a waist-shot is as close as you can get with that thing?"
An even more difficult problem was that the film had to be shot with the actors artificially positioned out of dramatic and emotional frame, and out of synchronization with one another. Only when the three-print Cinerama process was projected upon a Cinerama screen would the positions and emotions of the actors synchronize, such as normal eye-contact or emotional harmony between actors in a dramatic sequence. Because of the nature of Cinerama if film were shown in flat screen projection it would appear as if the actors were not making eye contact at all.
One brief scene of Mexican soldiers is sourced from the 1960 version of The Alamo.
Stuntman Bob Morgan, husband of Yvonne De Carlo, was seriously injured and lost a leg during a break in filming a gunfight on a moving train while filming "The Outlaws" portion. Chains holding logs on a flat-bed car broke, crushing Morgan as he crouched beside them.
The film would later inspire an ABC television series of the same name.
Read more about this topic: How The West Was Won (film)
Famous quotes containing the word production:
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)