Companion Works
The book was followed by a companion piece called The Whalestoe Letters, a series of letters written to the character Johnny Truant by his mother while she was confined in a mental institution. Some (but not all) of the letters are included in the second edition.
House of Leaves was accompanied by a companion piece (or vice versa), a full length album called Haunted recorded by Danielewski's sister, Anne Danielewski, known professionally as Poe. The two works cross-pollinated heavily over the course of their creations, each inspiring the other in various ways. Poe's statement on the connection between the two works is that they are parallax views of the same story. House of Leaves references Poe and her songs several times, not only limited to her album Haunted, but Hello as well. One example occurs when the character Karen Green is interviewing various academics on their interpretations of the short film "Exploration #4"; she consults a "Poet," but there is a space between the "Poe" and the "t," possibly suggesting that Poe at one point commented on the book. It may also be a reference to Edgar Allan Poe.
The album Haunted also draws heavily from the novel, featuring tracks called "House of Leaves", "Exploration B" and "5&½ Minute Hallway", and many less obvious references. The video for "Hey Pretty" also features Mark Danielewski reading from House of Leaves (pages 88–89), and in House of Leaves, the band Liberty Bell's lyrics were also songs on Poe's album.
Read more about this topic: House Of Leaves
Famous quotes containing the words companion and/or works:
“Never make a companion equal to a brother.”
—Hesiod (c. 8th century B.C.)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)