House of Bourbon - Origins

Origins

The pre-Capetian House of Bourbon was a noble family, dating at least from the beginning of the 13th century, when the estate of Bourbon was ruled by a Lord or Seigneur who was a vassal of the King of France. The term House of Bourbon or "Maison de Bourbon" could be used to refer to this first house and the House of Bourbon-Dampierre, the second family to rule the seigneury.

In 1268, Robert, Count of Clermont, sixth son of King Louis IX of France, married Beatrix of Bourbon, heiress to the lordship of Bourbon and from House of Bourbon-Dampierre. Their son Louis was made Duke of Bourbon in 1327. His descendant, the Constable of France Charles de Bourbon, was the last of the senior Bourbon line when he died in 1527. Because he chose to fight under the banner of Holy Roman Emperor Charles V and lead a life of exile, his title was discontinued after his death.

However the junior line of the dukes of Vendôme remained, the ruling house of the Dukedom of Vendôme. The Vendôme branch were to become rulers of the Kingdom of Navarre on the northern side of the Pyrenees in 1555 and then of France, with Henry III of Navarre becoming Henry IV of France. From then on, they were simply called Bourbon, until the creation of cadet branches.

Read more about this topic:  House Of Bourbon

Famous quotes containing the word origins:

    Grown onto every inch of plate, except
    Where the hinges let it move, were living things,
    Barnacles, mussels, water weeds—and one
    Blue bit of polished glass, glued there by time:
    The origins of art.
    Howard Moss (b. 1922)

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)