Reception
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| Source | Rating |
| Allmusic | |
| Vista Records | |
| Rolling Stone | |
| Blender | |
| Metal Nightfall | |
| Pitchfork Media | (5.3/10) |
Despite the intense touring schedule Kiss maintained in 1974, Hotter Than Hell failed to outperform the band's first album and fared considerably worse. This was due partly to the fact that Casablanca Records' distribution deal with Warner Bros. Records had ended. The publicity push behind the album was not nearly what it was for the debut album. One notable exception was a television commercial aired to promote the album. The only single released from the album "Let Me Go, Rock 'n' Roll", was distributed in low numbers and failed to chart. Four months after the album was released, Kiss were pulled off tour and called back into the studio to record a follow-up. Hotter Than Hell was certified Gold on June 23, 1977.
Musically, Hotter Than Hell is darker than the band's first album. This is partly due to the murkier production values, but also the lyrical content of some of the songs. "Goin' Blind", which details a doomed romance with a 93-year-old and an underage girl, was a song written by Simmons and Stephen Coronel during their days with Wicked Lester. The original title was "Little Lady". Hotter Than Hell featured a lot more overdubs than the first album. While Kerner and Wise wanted to produce a record that captured Kiss as a live act, they decided to take advantage of the experience the band had gained as recording artists.
Read more about this topic: Hotter Than Hell
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)