Production Details
The plot of Hot Mikado does not stray far from the Gilbert and Sullivan original, with a similar satiric tone. Katisha is played as a vamp. Ko-Ko is characterized in a manner similar to such characters as Sergeant Bilko. An extra male character, Junior, is added, who takes some of Pish-Tush's lines and sings the solo in "Braid the raven hair." The show is set in Japan in the 1940s, with suggested settings and costuming combining Japanese design with American 1940s design. The set uses Japanese architecture, executed in the textures of The Cotton Club (neon, brass, mahogany). The costumes include zoot suits, snoods, wedgies and felt hats, executed in the colorful silk kimono textures of Japan.
The score uses much of Sullivan's original music but is reorchestrated using 1940s popular musical harmonies and arrangements and a wide range of styles, including jazz, hot gospel, blues, rock, Cab Calloway swing, and torch songs. The 'Three Little Maids' sing in Andrews Sisters' style. Many of the songs of Hot Mikado have the same name and melody as in The Mikado, but often have a twist. For example, the song "I Am So Proud" has the same melody for the verses, changing only towards the end, where it folds into a more jazzy round. The dances called for include the Lindy Hop, tap-dancing, the jitterbug and other 1940s dances.
The orchestrations call for Double Bass (db. Bass Guitar), Drums (db. Timpani, Duck Call, Glockenspiel, Large Gong, Mark tree, Triangle and Wood Block), Alto Saxophone (db. Clarinet/ Flute), Trombone (db. Cowbell), and Trumpet (db. Flugelhorn/ Tambourine).
Read more about this topic: Hot Mikado
Famous quotes containing the words production and/or details:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“If my sons are to become the kind of men our daughters would be pleased to live among, attention to domestic details is critical. The hostilities that arise over housework...are crushing the daughters of my generation....Change takes time, but men’s continued obliviousness to home responsibilities is causing women everywhere to expire of trivialities.”
—Mary Kay Blakely (20th century)