History
Electra Havemeyer Webb’s desire to provide a suitable setting for the carriage collection of her father-in-law, Dr. William Seward Webb, provided the inspiration for founding Shelburne Museum. She searched Vermont for a building to house these fine carriages and found a unique horseshoe-shaped dairy barn near Georgia, Vermont. When the owner declined to sell the barn, Electra Webb directed her staff to create a copy of the structure. Over a two-year period they located, moved, and assembled hand-hewn beams from twelve Vermont barns and stone from two gristmills to construct their own horseshoe barn on museum grounds.
Completed in July 1949, the massive structure, which is 238 ½ feet long and 32 feet (9.8 m) wide, incorporated 745 timbers, posts, and braces, 17,000 feet (5,200 m) of plank and other boarding, and 9,000 square feet (840 m2) of slate. Carpenters specially cut new clapboards for the exterior siding with an up-and-down saw (see Scroll Saw) to recreate the markings found on the original building.
In 1957, after the addition of 150 more vehicles to the transportation collection, the museum constructed the Horseshoe Barn Annex to exhibit key examples from the collection using a combination of old and new materials.
Read more about this topic: Horseshoe Barn And Annex
Famous quotes containing the word history:
“The custard is setting; meanwhile
I not only have my own history to worry about
But am forced to fret over insufficient details related to large
Unfinished concepts that can never bring themselves to the point
Of being, with or without my help, if any were forthcoming.”
—John Ashbery (b. 1927)
“There is a history in all mens lives,
Figuring the natures of the times deceased,
The which observed, a man may prophesy,
With a near aim, of the main chance of things
As yet not come to life.”
—William Shakespeare (15641616)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)