Plot
The plot revolves around a 19-year-old girl, Lisandra, a druid who was raised by animals on the island of Galrasia. She starts having dreams about the Paladin, a hero who mysteriously disappeared a few years ago. This Paladin had in his armour the Rubies of Virtue, twenty magical gems forged by each one of the twenty most powerful gods of the world of Arton. The gems were scattered all over the world after the Paladin's disappearance, and, according to Lisandra's dreams, it is up to her to find them and return them to the Paladin, in order to revive him.
At first, with her "cousin" (a cave wolf), she discovers that one of the rubies was in the possession of a man who was cursed into a dragon form. Unable to fight the dragon on her own, she begins a quest to find the great thief Galtran, and so she travels to the city of Valkaria. This is the first time she left her island, and she knows no other human being. So, in the city, her "cousin" draws the attention of the city guard. She explains that it means no harm and she is only looking for Galtran. The guards passing by say that everyone is looking for him. When she says that she wants to hire him, they tell her that she must come with them. The wolf attacks one of the guards to protect her and gets killed. For wanting to hire a thief and being responsible for the death of a city guard, she gets arrested. On the same night, Sandro Galtran (son of the great thief Leon Galtran) comes to rescue Lisandra from the palace's dungeon. After managing to escape, they go for the Ruby. The search for the Rubies spawned a multitude of plot twists and flashbacks to Arton's past events.
Many elements in the series are taken from the Dungeons & Dragons game, including spells, character classes and the way magic is treated.
Read more about this topic: Holy Avenger
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)