Music Career
Valance's first single as a recording artist was a cover of the Turkish singer Tarkan's "Kiss Kiss" (composed by the Turkish "diva" Sezen Aksu), released in 2002. The song entered both the Australian Recording Industry Association and UK Singles Charts charts at No. 1 in April/May 2001. The director's cut version of the music video was notable in that Valance appeared to be dancing naked. She revealed that she was topless but also wearing flesh-coloured underwear. The footage was digitally retouched adding strategically placed lighting effects. The song was nominated for four ARIA Music Awards.
Valance's next single, "Down Boy" peaked at No. 2 in the UK and at No. 3 in Australia. Her first album, Footprints, was released on 14 October 2002. It peaked in its first week at No. 9 in the UK and No. 15 in Australia. The album's third and final single "Naughty Girl" peaked at No. 3 in Australia and at No. 16 in the UK. In 2003, the first single "State of Mind" from Valance's second album State of Mind peaked in its first week No. 8 in the UK and at No. 14 in Australia, but the album did not reach the top 50 in either country.
Valance has also featured in other music videos, first in 2000 when she appeared in Human Nature's music video "He Don't Love You", and again in 2009 with the British electro-pop newcomer Frankmusik in the video for his single "Confusion Girl".
Read more about this topic: Holly Valance
Famous quotes containing the words music and/or career:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)