Modern
This period is the 19th and 20th centuries.
The 19th century was a time of rapid urbanisation and industrialisation in Yorkshire. Yorkshire was already a centre of industry in textiles, concentrated in the West Riding. Steel continued to be concentrated around Sheffield, as was the production of coal. The worsted sector of the textile industry was the first to adapt the machinery developed by the Lancashire cotton industry and had become completely factory based by the 1860s including large horizontally integrated mills.
Steel production at this time involved long working hours, in unpleasant conditions that offered little or no safety protection. Friedrich Engels in his The Condition of the Working Class in England in 1844 described the conditions prevalent in Sheffield at that time. The city became one of the main centres for trade union organisation and agitation in the UK. By the 1860s, the growing conflict between capital and labour provoked the so-called 'Sheffield Outrages', which culminated in a series of explosions and murders carried out by union militants. The Sheffield Trades Council organised a meeting in Sheffield in 1866 at which the United Kingdom Alliance of Organised Trades — a forerunner of the Trades Union Congress (TUC) — was founded.
William Wilberforce, Member of Parliament for Hull, was a prominent abolitionist in the slave trade. The Edwardian period in Yorkshire brought the Labour Party (UK) into focus, as it tried to mobilise further reform. Robert Baden-Powell, 1st Baron Baden-Powell commanded the Northern Territorial Army at Richmond Castle until 1910.
Read more about this topic: History Of West Yorkshire
Famous quotes containing the word modern:
“Not so many years ago there there was no simpler or more intelligible notion than that of going on a journey. Travel—movement through space—provided the universal metaphor for change.... One of the subtle confusions—perhaps one of the secret terrors—of modern life is that we have lost this refuge. No longer do we move through space as we once did.”
—Daniel J. Boorstin (b. 1914)
“The experience of the gangster as an experience of art is universal to Americans. There is almost nothing we understand better or react to more readily or with quicker intelligence.... In ways that we do not easily or willingly define, the gangster speaks for us, expressing that part of the American psyche which rejects the qualities and the demands of modern life, which rejects “Americanism” itself.”
—Robert Warshow (1917–1955)
“A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.”
—Harvey Brooks (b. 1915)