Primitive Trumpets
The simplest – and presumably the earliest – type of trumpet was made from the hollowed-out horn or shell of an animal, into the end of which a hole was bored for the mouth. This “trumpet” had neither a mouthpiece nor a bell, and was not so much a musical instrument as a megaphone into which one spoke, sang, or shouted. The intention was to distort the voice and produce a harsh, unnatural sound to ward off evil spirits or disconcert one’s enemies. Only later was the trumpet used to invoke friendly gods or to encourage one’s own warriors on the battlefield. Typically only one or two different pitches could be produced on such an instrument, though sometimes a small fingerhole was bored in the tip to provide the player with an extra pitch. Most of these early trumpets were end-blown, like the modern trumpet; side-blown varieties, however, were not unknown, and can still be found in Africa and other parts of the globe.
Primitive trumpets were mainly used in religious ceremonies and magic rituals. As they were played only by men, they probably acquired strong phallic overtones; among certain aboriginal tribes, for example, it was a capital offense for a woman to look at a trumpet. The tradition of playing trumpet or bugle fanfares at sunrise (Reveille), sunset (Last Post), and at funerals (Taps), probably evolved from these ancient rituals.
The use of the trumpet as an instrument of warfare and the chase is probably as old. Its strident sound and animal origins must have suggested a wild or belligerent nature at a very early date, while the ritualistic uses to which it was put only served to strengthen its associations with death and male-oriented activities.
Read more about this topic: History Of Primitive And Non-Western Trumpets
Famous quotes containing the words primitive and/or trumpets:
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—Henry David Thoreau (1817–1862)
“Sing unto the Lordwith the harp, with the harp, and the voice of a
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With trumpets and sound of cornet make a joyful noise before the Lord,”
—Bible: Hebrew Psalm XCVIII (l. XCVIII, 5–6)