Early Origins of Knitting
Knitting is a technique of producing fabric from a strand of yarn or wool. Unlike weaving, knitting does not require a loom nor other large equipment, making it a valuable technique for nomadic and non-agrarian peoples.
The oldest artifact with a knitted appearance is a type of sock. It is believed that socks and stockings were the first pieces produced using techniques similar to knitting. These socks were worked in Nålebinding, a technique of making fabric by creating multiple knots or loops with a single needle and thread. Many of these existing clothing items employed nålebinding techniques; some of them look very similar to true knitting, for example, 3rd-5th century AD Romano-Egyptian toe-socks. Several pieces, done in now obscure techniques, have been mistaken for knitting or crocheting.
Most histories of knitting place its origin somewhere in the Middle East, from there it spread to Europe by Mediterranean trade routes, and then to the Americas with European colonization. The earliest known examples of knitting have been found in Egypt and cover a range of items, including complex colorful wool fragments and indigo blue and white cotton stockings, which have been dated between the 11th and 14th centuries CE.
Read more about this topic: History Of Knitting
Famous quotes containing the words early, origins and/or knitting:
“All of Western tradition, from the late bloom of the British Empire right through the early doom of Vietnam, dictates that you do something spectacular and irreversible whenever you find yourself in or whenever you impose yourself upon a wholly unfamiliar situation belonging to somebody else. Frequently it’s your soul or your honor or your manhood, or democracy itself, at stake.”
—June Jordan (b. 1939)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“your antlers like seaweed,
your face like a wolf’s death mask,
your mouth a virgin, your nose a nipple,
your legs muscled up like knitting balls,
your neck mournful as an axe....”
—Anne Sexton (1928–1974)