History of Art - Art Museums

Art Museums

The experience of art history, as conveyed by art museums, tends to be organized differently than that of textbooks due to the nature of collections and the institutions themselves. Rather than a full march through time, museums employ curators who assemble objects into exhibitions, often with unique commentary that is later reinterpreted by docents. Because they have the responsibility to store objects, museums develop taxonomies for their collections, using conventions of classification authority for the sake of consistency. This may be undertaken with the museum’s archivist. The result is often a strong emphasis on the history of media in conjunction with the history of culture.

Such an emphasis on media is a natural outgrowth of the internal classification systems used in art museums, which usually include departments of painting, sculpture, decorative arts, and works on paper. Painting itself includes several media, such as oil painting, Tempera painting, watercolor. Sculpture can be divided into carving and casting. The decorative arts are perhaps the most diverse, as they include: textiles and needlework, which includes weaving, lace, shibori, and other work with fabric; Murals, of which frescoes are one form; and objects of adornment such as silver, ceramics, lacquerware, stained glass, and furniture. Museums generally cannot collect full buildings, but they may acquire pieces of architectural ornamentation, which also fall under the decorative arts department. Works on paper includes printmaking, photography, and the book arts such as illuminated manuscripts. Museums may also include a department of applied arts, which includes objects of good design along with the graphic art, illustration, and other forms of commercial art.

Read more about this topic:  History Of Art

Famous quotes containing the words art and/or museums:

    Art, if one employs this term in the broad sense that includes poetry within its realm, is an art of creation laden with ideals, located at the very core of the life of a people, defining the spiritual and moral shape of that life.
    Ivan Sergeevich Turgenev (1818–1883)

    In museums and palaces we are alternate radicals and conservatives.
    Henry James (1843–1816)