The Iliad As Essentially Historical
Another view is that Homer was heir to an unbroken tradition of oral epic poetry reaching back some 500 years into Mycenaean times. The case is set out in The Singer of Tales by Alfred B. Lord, citing earlier work by folklorist and mythographer Milman Parry. In this view, the poem's core could reflect an historical campaign that took place at the eve of the decline of the Mycenaean civilization. Much legendary material would have been added during this time, but in this view it is meaningful to ask for archaeological and textual evidence corresponding to events referred to in the Iliad. Such an historical background gives a credible explanation for the geographical knowledge of Troy (which could, however, also have been obtained in Homer's time by visiting the traditional site of the city, which was in fact New Ilium, built at the base of the hill at Hisarlık) and otherwise unmotivated elements in the poem (in particular the detailed Catalogue of Ships). Linguistically, a few verses of the Iliad suggest great antiquity, because they only fit the meter if projected back into Mycenaean Greek, in part due to the classical loss of the digamma; this trace of archaic language suggests a poetic tradition spanning the Greek Dark Ages. On the other hand, there are well-known interpolations in the text we have. Even though Homer was Ionian, the Iliad reflects the geography known to the Mycenaean Greeks, showing detailed knowledge of the mainland but not extending to the Ionian Islands or Anatolia, which suggests that the Iliad reproduces an account of events handed down by tradition, to which the author did not add his own geographical knowledge.
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