Characteristics of Complete Works and Monumental Editions
Publication of these multi-volume series is usually spread over many years, sometimes decades. Depending on the financial state of the publisher, some projected sets are never finished, and some sets are taken over by other publishers. There are often different editors for individual volumes, with a general editor or committee of editors to oversee the entire series. Complete Works series are often organized by genre, for example grouping all symphonies together, or all piano sonatas. Several of the complete works sets have complicated, multi-tiered systems for numbering the volumes. Monumental Editions have varying organizational schemes, but several of them include numerous sub-series, some of which are devoted to the music of single composers.
These publications are often sponsored by musicological research bodies or by civic organizations. Many of these endeavors also value international cooperation, creating editorial boards that include scholars from various countries.
Read more about this topic: Historical Editions (music)
Famous quotes containing the words characteristics of, complete, works, monumental and/or editions:
““What are the characteristics of today’s world so that one may recognize it by them?” It pays pensions and borrows money: credit and monuments.”
—Franz Grillparzer (1791–1872)
“Love is not enough. It must be the foundation, the cornerstone—but not the complete structure. It is much too pliable, too yielding.”
—Bette Davis (1908–1989)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“I had a monumental idea this morning, but I didn’t like it.”
—Samuel Goldwyn (1882–1974)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul’s, like the editions of Balbec and Palmyra.”
—Horace Walpole (1717–1797)