Critical Reception
Hill Street Blues received rave reviews from critics initially in general alongside dismal Nielsen ratings. Early schedule switching did not help; the show was broadcast once weekly on four different nights during its first season alone but gradually settled into a Thursday night slot. The NBC Broadcast Standards Unit deemed it too violent, too sexy, too grim. The producers described the show as an hour drama with 13 continuing characters living through a Gordian knot of personal and professional relationships. John J. O'Connor in a May 1981 review charted its growing popularity and called it "a comfortable balance between comedy and drama". The groundbreaking choice to include African-Americans as mainstays in the core ensemble cast and to feature several inter-racial and inter-ethnic cop partnerships drew notice and praise, as did the overlapping plots and examinations of moral conundrums such as police corruption, racism, alcoholism, and both interpersonal and institutional forgiveness.
Read more about this topic: Hill Street Blues
Famous quotes containing the words critical and/or reception:
“Probably more than youngsters at any age, early adolescents expect the adults they care about to demonstrate the virtues they want demonstrated. They also tend to expect adults they admire to be absolutely perfect. When adults disappoint them, they can be critical and intolerant.”
—The Lions Clubs International and the Quest Nation. The Surprising Years, I, ch.4 (1985)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)