Hill Figure

A hill figure is a large visual representation created by cutting into a steep hillside and revealing the underlying geology. It is a type of geoglyph usually designed to be seen from afar rather than above. In some cases trenches are dug and rubble made from material brighter than the natural bedrock is placed into them. The new material is often chalk, a soft and white form of limestone, leading to the alternative name of chalk figure for this form of art.

Ancient hill figures cut in grass are especially a phenomenon in England: examples include the Cerne Abbas giant, the Uffington White Horse, the Long Man of Wilmington, as well as the "lost" carvings at Cambridge, Oxford and Plymouth Hoe. From the 18th century onwards, many further ones were added.

Famous quotes containing the words hill and/or figure:

“The longer a woman remains single, the more apprehensive she will be of entering into the state of wedlock. At seventeen or eighteen, a girl will plunge into it, sometimes without either fear or wit; at twenty, she will begin to think; at twenty-four, will weigh and discriminate; at twenty-eight, will be afraid of venturing; at thirty, will turn about, and look down the hill she has ascended, and sometimes rejoice, sometimes repent, that she has gained that summit sola.”
—Samuel Richardson (1689–1761)

“My position is a naturalistic one; I see philosophy not as an a priori propaedeutic or groundwork for science, but as continuous with science. I see philosophy and science as in the same boat—a boat which, to revert to Neurath’s figure as I so often do, we can rebuild only at sea while staying afloat in it. There is no external vantage point, no first philosophy.”
—Willard Van Orman Quine (b. 1908)