A hill figure is a large visual representation created by cutting into a steep hillside and revealing the underlying geology. It is a type of geoglyph usually designed to be seen from afar rather than above. In some cases trenches are dug and rubble made from material brighter than the natural bedrock is placed into them. The new material is often chalk, a soft and white form of limestone, leading to the alternative name of chalk figure for this form of art.
Ancient hill figures cut in grass are especially a phenomenon in England: examples include the Cerne Abbas giant, the Uffington White Horse, the Long Man of Wilmington, as well as the "lost" carvings at Cambridge, Oxford and Plymouth Hoe. From the 18th century onwards, many further ones were added.
Read more about Hill Figure: History, Human Figures, Horse Figures, Lost Figures, Photographic Gallery, Drawings Gallery, Hill Figures in Fiction
Famous quotes containing the words hill and/or figure:
“The Helicon of too many poets is not a hill crowned with sunshine and visited by the Muses and the Graces, but an old, mouldering house, full of gloom and haunted by ghosts.”
—Henry Wadsworth Longfellow (1807–1882)
“The figure of the enthusiast who has just discovered jogging or a new way to fix tofu can be said to stand or, more accurately, to tremble on the threshold of conversion, as the representative American.”
—Lewis H. Lapham (b. 1935)