Reception
In Japan the manga series by Izumi Aso was very popular when it was beginning to be published by Shueisha and serialized through Margaret magazine in late 1985. This gave Aso the ability to continue the storyline for a long serialization. In mid-1986 Tatsunoko Productions picked up the series to turn it into an anime series in hopes to take advantage of the shōjo genre popularity in the mid 1980s. The anime, produced by Tatsunoko Productions was one of the few ventures of the company into the shōjo genre. The anime was not very successful in Japan and it was taken off the air sooner than expected due to its low ratings in the country . (the anime series stalled at the count of only 19 episodes, as opposed to 26 episodes that had been planned by the producers). The manga series remained popular among loyal fans and continued to be serialized through Margaret magazine until Aso ended the series at 16 volumes.
The anime series would have probably never have been released outside of Japan had not been for the 1988 Olympics which were to be held at Seoul, South Korea. The 1988 Olympics featured national rhythmic gymnastic competitions, and because of that the anime series was re-aired during the Olympics in 1988. During this time Tatsunoko Productions decided to release the series in Europe were rhythmic gymnastics is popular. And in an instant the anime became a huge success in every European country that it was dubbed and aired.
The anime series was criticized in Europe for its inability to properly show movement and for the fact that the rhythmic gymnastic performances were too short compare to real performances that can last for as far as five minutes. But despite this criticism, the anime became very successful in Europe and it is still popular to this day.
Read more about this topic: Hikari No Densetsu
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)