Dance Elements
The highlight of the original production was a long (7-10 minute) ensemble dance number ("The Bathing Beauty Ballet", to the song "On a Sunday by the Sea") at the beginning of the second act. Choreographer Robbins staged this number in the manner of a Mack Sennett silent slapstick film. It uses the music of "On A Sunday By the Sea", Liszt's Second Hungarian Rhapsody, and Offenbach's can-can from "Orpheus in the Underworld". "This number was so basic to the show that deleting it would render the evening incoherent. It was a major evocation of a period, a tribute to silent-film comedy." Amanda Vaill, in her biography of Robbins describes this dance number: "The actors careen across the stage, in and out of a row of boardwalk bathhouses, slamming doors, falling, rolling, leaping to their feet, colliding with one another, in a masterpiece of intricately plotted chaos that bears all the marks of the developing Robbins style: wit, character, drama, and precision."
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Famous quotes containing the words dance and/or elements:
“We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.”
—Martha Graham (1894–1991)
“An illustrious individual remarks that Mrs. [Elizabeth Cady] Stanton is the salt, Anna Dickinson the pepper, and Miss [Susan B.] Anthony the vinegar of the Female Suffrage movement. The very elements get the “white male” into a nice pickle.”
—Anonymous, U.S. women’s magazine contributor. The Revolution (August 19, 1869)