Mixed Martial Arts Record
| Professional record breakdown | ||
| 18 matches | 9 wins | 8 losses |
| By knockout | 0 | 2 |
| By submission | 8 | 1 |
| By decision | 1 | 5 |
| Draws | 1 | |
| Result | Record | Opponent | Method | Event | Date | Round | Time | Location | Notes |
|---|---|---|---|---|---|---|---|---|---|
| Loss | 9-8-1 | Kazuhiro Nakamura | Decision (unanimous) | Astra (event) | 02010-04-25April 25, 2010 | 3 | 5:00 | Tokyo, Japan | |
| Win | 9-7-1 | Satoshi Ishii | Decision (unanimous) | Dynamite!! 2009 | 02009-12-31December 31, 2009 | 3 | 5:00 | Saitama, Saitama, Japan | |
| Loss | 8-7-1 | Sanae Kikuta | Decision (split) | World Victory Road Presents: Sengoku no Ran 2009 | 02009-01-04January 4, 2009 | 3 | 5:00 | Saitama, Saitama, Japan | |
| Win | 8-6-1 | Maurice Smith | Submission (neck crank) | World Victory Road Presents: Sengoku 3 | 02008-06-08June 8, 2008 | 1 | 3:23 | Saitama, Saitama, Japan | |
| Loss | 7-6-1 | Josh Barnett | Submission (heel hook) | World Victory Road Presents: Sengoku 1 | 02008-03-05March 5, 2008 | 3 | 3:23 | Tokyo, Japan | |
| Loss | 7-5-1 | James Thompson | TKO (strikes) | Pride Shockwave 2006 | 02006-12-31December 31, 2006 | 1 | 7:50 | Saitama, Saitama, Japan | |
| Loss | 7-4-1 | Mirko Filipović | Submission (leg kicks) | Pride Critical Countdown Absolute | 02006-07-01July 1, 2006 | 1 | 7:38 | Saitama, Saitama, Japan | PRIDE 2006 Openweight Grand Prix quarter-final. |
| Win | 7-3-1 | Yōsuke Nishijima | Technical submission (triangle choke) | Pride Total Elimination Absolute | 02006-05-05May 5, 2006 | 1 | 2:33 | Osaka, Japan | PRIDE 2006 Openweight Grand Prix opening round. |
| Win | 6-3-1 | Naoya Ogawa | Submission (armbar) | Pride Shockwave 2005 | 02005-12-31December 31, 2005 | 1 | 6:04 | Saitama, Saitama, Japan | |
| Win | 5-3-1 | Tank Abbott | Submission (gi choke) | Pride Final Conflict 2005 | 02005-08-28August 28, 2005 | 1 | 7:40 | Saitama, Saitama, Japan | |
| Loss | 4-3-1 | Wanderlei Silva | Decision (split) | Pride Total Elimination 2005 | 02005-04-23April 23, 2005 | 3 | 5:00 | Osaka, Japan | |
| Loss | 4-2-1 | Rulon Gardner | Decision (unanimous) | Pride Shockwave 2004 | 02004-12-31December 31, 2004 | 3 | 5:00 | Saitama, Saitama, Japan | |
| Win | 4-1-1 | Mark Hunt | Submission (armbar) | Pride Critical Countdown 2004 | 02004-06-20June 20, 2004 | 1 | 5:25 | Saitama, Saitama, Japan | |
| vDraw | 3-1-1 | Royce Gracie | Draw | Pride Shockwave 2003 | 02003-12-31December 31, 2003 | 2 | 10:00 | Saitama, Saitama, Japan | Openweight bout. Match under special rules. |
| Loss | 3-1 | Wanderlei Silva | Decision (unanimous) | Pride Final Conflict 2003 | 02003-11-09November 9, 2003 | 2 | 5:00 | Tokyo, Japan | PRIDE 2003 Middleweight Grand Prix semi-final. Fight of the Year (2003). |
| Win | 3-0 | Kiyoshi Tamura | Submission (ezekiel choke) | Pride Total Elimination 2003 | 02003-08-10August 10, 2003 | 1 | 5:06 | Saitama, Saitama, Japan | PRIDE 2003 Middleweight Grand Prix opening round. |
| Win | 2-0 | Masaaki Satake | Submission (neck lock) | Inoki Bom-Ba-Ye 2002 | 02002-12-31December 31, 2002 | 1 | 0:50 | Saitama, Saitama, Japan | |
| Win | 1-0 | Don Frye | Technical submission (armbar) | Pride 23 | 02002-11-24November 24, 2002 | 1 | 5:32 | Tokyo, Japan |
Read more about this topic: Hidehiko Yoshida
Famous quotes containing the words mixed, martial, arts and/or record:
“Remember that the wit, humour, and jokes of most mixed companies are local. They thrive in that particular soil, but will not often bear transplanting.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Strike the concertina’s melancholy string!
Blow the spirit-stirring harp like any thing!
Let the piano’s martial blast
Rouse the Echoes of the Past,”
—Sir William Schwenck Gilbert (1836–1911)
“Most arts require long study and application; but the most useful art of all, that of pleasing, requires only the desire.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Such is the role of poetry. It unveils, in the strict sense of the word. It lays bare, under a light which shakes off torpor, the surprising things which surround us and which our senses record mechanically.”
—Jean Cocteau (1889–1963)