Hibiki's Magic - Production

Production

The manga series Hibiki's Magic is written by Jun Maeda and illustrated by Rei Izumi. As stated at the back of the first volume, Maeda first conceived Hibiki's Magic as a short story he wrote as a student, and the story contains an unspecified theme that he has carried through a lot of stories since. In 2003, he wanted to collaborate with Izumi, one of his favorite artists, and remembered his earlier concept that would become Hibiki's Magic. After Izumi drew some early character designs for Hibiki, Maeda wanted to continue the story and start a manga with Izumi as the artist.

The manga premiered in the August 2004 issue of Kadokawa Shoten's Shōnen Ace. It was later transferred to another Kadokawa Shoten magazine named Comp Ace on November 26, 2005. Two tankōbon volumes have been released in Japan, the first on August 10, 2005, and the second on December 26, 2006. Hibiki's Magic has rarely appeared in Comp Ace since the publication of volume fifteen on May 26, 2007. Since then, the manga has only appeared once in Comp Ace's August 2008 issue, and once in a special edition of the magazine's July 2011 issue titled Key Station. A bonus chapter appeared in the September 2008 issue of Comp Ace. Seven chapters have been published in the magazine but not into a volume yet. Maeda wrote in January 2010 that he still plans to continue the story, but must wait for Izumi's physical condition to improve before this is possible.

At Comic-Con International 2006, Tokyopop announced that it had acquired Hibiki's Magic for distribution in English in North America. Tokyopop released the first volume on January 9, 2007, followed by the second volume on September 11, 2007. Kadokawa Media licensed the series in Chinese.

No. Japanese release date Japanese ISBN North American release date North American ISBN
1 August 10, 2005 ISBN 978-4-04713-713-4 January 9, 2007 ISBN 978-1-59816-766-5
  • 01. "The Magic of Transposition" (転位のマホウ, Teni no Mahō?)
  • 02. "The Magic That Cannot Heal" (Part 1) (癒えないマホウ (前編), "Ienai Mahō" (zenpen)?)
  • 03. "The Magic That Cannot Heal" (Part 2) (癒えないマホウ (後編), "Ienai Mahō" (kōhen)?)
  • 04. "The Magic of Life" (Part 1) (生命のマホウ (前編), "Seimei no Mahō" (zenpen)?)
  • 05. "The Magic of Life" (Part 2) (生命のマホウ (中編), "Seimei no Mahō" (chūhen)?)
  • 06. "The Magic of Life" (Part 3) (生命のマホウ (後編), "Seimei no Mahō" (kōhen)?)
  • Side Story: "Even If I Forget You" (ぼくがきみをわすれても, "Boku ga Kimi o Wasuretemo"?)
2 December 26, 2006 ISBN 978-4-04713-866-7 September 11, 2007 ISBN 978-1-4278-0458-7
  • 07. "The Magic That Protects All" (失わないためのマホウ, "Ushinawanai Tame no Mahō"?)
  • 08. "The Magic of the Cursed Item" (呪具のマホウ, "Kashiri no Mahō"?)
  • 09. "The Magic of the Heart" (伝心のマホウ, "Tsute no Mahō"?)
  • 10. "The Magic of the Demon" (悪魔のマホウ, "Akuma no Mahō"?)
  • 11. "The Magic That Saves" (救うためのマホウ, "Sukū Tame no Mahō"?)
  • Bonus Story: "Our Beginning Song" (きみとぼくのはじまりのうた, "Kimi to Boku no Hajimari no Uta"?)

Read more about this topic:  Hibiki's Magic

Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.
    Gus Hall (b. 1910)

    Every production of an artist should be the expression of an adventure of his soul.
    W. Somerset Maugham (1874–1965)