Composition
The song starts off with an acoustic guitar, restrung in a fashion similar to Nashville tuning, but with the low E string replaced by a high E tuned two full octaves higher than normal. It plays arpeggios over E and D minor ninth chords. The alternate stringing allows for adjacent pitches (for example, the E, F♯, and G of the Em9 chord) to ring out separately on separate strings throughout the arpeggio. A fretless bass enters, also played by guitarist David Gilmour. Next to join in is the Fender Rhodes electric piano by Wright, Gilmour's vocals, and overdubbed acoustic guitar and drums at the start of the second verse. In the middle is a guitar solo which is played over the main melody of the song "Another Brick in the Wall" (in E minor and A minor, rather than D minor). After the solo, Roger Waters takes over on lead vocals for the rest of the song. The bridge contains the chord sequence from "Bring the Boys Back Home", ending on an E minor chord as well. A reprise of the instrumental introduction follows, augmented by prominent ARP Quadra riffs and a faintly audible sound of a drill. At this point, there is a piece of indecipherable whispering from the left channel. Drums and vocals then join in. At about 3:23 into the song, a sonar-like sound, similar to the ping in "Echoes", is heard.
Read more about this topic: Hey You (Pink Floyd Song)
Famous quotes containing the word composition:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)