Heroic Drama in Literary Criticism
Today, drama is divided up into numerous sub-genres; Dryden, however, worked from Classical critics. There was little dramatic critical theory for him to appeal to, and the new rules brought over from France (particularly those of Corneille and Boileau) did not match English theatrical history or practice. The emphasis on unities and on maintaining only Classically proscribed dramatic forms also came from Thomas Rymer, who condemned the heterogeneity of the stage. Aristotle had only spoken of satire, epic, and tragedy, and Horace also wrote only of comedy, tragedy and satire, and so Dryden was seeking to square actual theatrical practice with an ancient framework for literature. He was attempting his own neo-classicism. The First Folio of Shakespeare had divided Shakespeare's plays into "history," "tragedy," and "comedy," but these terms were stretched. Dryden, therefore, implicitly recognizes that drama had moved into the territory of other types of poetry, but he strives to restrain that freedom by reforming the stage to a true and epic subject matter.
Read more about this topic: Heroic Drama
Famous quotes containing the words literary criticism, heroic, drama, literary and/or criticism:
“Much literary criticism comes from people for whom extreme specialization is a cover for either grave cerebral inadequacy or terminal laziness, the latter being a much cherished aspect of academic freedom.”
—John Kenneth Galbraith (b. 1908)
“Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are—
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.”
—Alfred Tennyson (1809–1892)
“We live between two worlds; we soar in the atmosphere; we creep upon the soil; we have the aspirations of creators and the propensities of quadrupeds. There can be but one explanation of this fact. We are passing from the animal into a higher form, and the drama of this planet is in its second act.”
—W. Winwood Reade (1838–1875)
“There can be no literary equivalent to truth.”
—Laura Riding (1901–1991)
“I, with other Americans, have perhaps unduly resented the stream of criticism of American life ... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.”
—Herbert Hoover (1874–1964)