History
The term "heroic couplet" is sometimes reserved for couplets that are largely closed and self-contained, as opposed to the enjambed couplets of poets like John Donne. The heroic couplet is often identified with the English Baroque works of John Dryden and Alexander Pope, who used the form for their translations of the epics of Virgil and Homer, respectively. Major poems in the closed couplet, apart from the works of Dryden and Pope, are Samuel Johnson's The Vanity of Human Wishes, Oliver Goldsmith's The Deserted Village, and John Keats's Lamia. The form was immensely popular in the 18th century. The looser type of couplet, with occasional enjambment, was one of the standard verse forms in medieval narrative poetry, largely because of the influence of the Canterbury Tales.
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