Hercule Poirot and Fictional Canon
The sets of rules involving "official" details of the "lives" and "works" of fictional characters vary from one fictional universe to the next according to the canon established by critics and/or enthusiasts. Some fans of Agatha Christie's Hercule Poirot have proposed that the novels are set on the date they were published, unless the novel itself gives a different date. It has further been proposed that only works written by her (including short stories, the novels and her play Black Coffee) are to be considered canon by most fans and biographers. This would render everything else (plays, movies, television adaptations, etc.) as an adaptation, or secondary material. A contradiction between the novels can be resolved, in most cases, by going with the novel that was published first.
An example of this would be the ongoing controversy over Poirot's age. Taken at face value it appears that Poirot was over 125 years old when he died. Though the majority of the Hercule Poirot novels are set between World War I and World War II, the later novels then set him in the 1960s (which is contemporary with the time Agatha Christie was writing even though it created minor discrepancies). Many people believe, from her later works, that Poirot retired from police work at around 50, but this is untrue, because as shown in the short story "The Chocolate Box", he retired at around 30. By accepting the date given in "The Chocolate Box" over later novels, which never gave precise ages anyway, it can be explained why Poirot is around for so long.
Also the debate over Poirot’s family is fuelled mainly by the fact that he mentions a sister in the original publication of "The Chocolate Box" but for some reason this reference was removed from the later editions.
Poirot is still under copyright (with the exception of the first novel, The Mysterious Affair at Styles, in the USA). Christie's grandson, Mathew Prichard, now owns the royalties to his grandmother's works.
Read more about this topic: Hercule Poirot In Literature
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