Herbert Marcuse

Herbert Marcuse ( ; July 19, 1898 – July 29, 1979) was a German Jewish philosopher, sociologist and political theorist, associated with the Frankfurt School of critical theory. Born in Berlin into a Jewish family, Marcuse studied at the universities of Berlin and Freiburg. He was a prominent figure in the Frankfurt-based Institute for Social Research - what later became known as the Frankfurt School. He was married to Sophie Wertheim (1924-1951), Inge Neumann (1955-1972), and Erica Sherover (1976-1979). Active in the United States after 1934, his intellectual concerns were the dehumanizing effects of capitalism and modern technology.

After his studies, in the late 1960s and the 1970s he became known as the preeminent theorist of the New Left and the student movements of Germany, France, and the USA. Between 1943 and 1950, Marcuse worked in US Government Service, which helped form the basis of his book Soviet Marxism (1964). Celebrated as the "Father of the New Left," his best known works are Eros and Civilization (1955) and One-Dimensional Man (1964). His Marxist scholarship inspired many radical intellectuals and political activists in the 1960s and '70s, both in the U.S. and internationally.

Read more about Herbert Marcuse:  Philosophy and Views, Bibliography

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    If the worker and his boss enjoy the same television program and visit the same resort places, if the typist is as attractively made up as the daughter of her employer, if the Negro owns a Cadillac, if they all read the same newspaper, then this assimilation indicates not the disappearance of classes, but the extent to which the needs and satisfactions that serve the preservation of the Establishment are shared by the underlying population.
    Herbert Marcuse (1898–1979)

    The harbingers are come. See, see their mark:
    White is their color, and behold my head.
    But must they have my brain? Must they dispark
    Those sparkling notions, which therein were bred?
    Must dullness turn me to a clod?
    Yet have they left me, Thou art still my God.
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    Obscenity is a moral concept in the verbal arsenal of the Establishment, which abuses the term by applying it, not to expressions of its own morality, but to those of another.
    —Herbert Marcuse (1898–1979)