Henry Jackson Hunt - Artillery Doctrine

Artillery Doctrine

In 1856 Hunt was a member of a three-man board that revised field artillery drill and tactics for the army. The Instructions for Field Artillery manual written by the three (Hunt, William H. French, and William F. Barry) was published by the War Department in 1861 and was the "bible" of Northern field artillerists during the war. He was a principal proponent of the organizational doctrine that allowed infantry brigades to retain artillery batteries for close-in support, but that moved batteries formerly assigned to divisions and corps to an Artillery Reserve at the army level for more strategic control.

Hunt was also a proponent of artillery practices that reflected his conservative nature. Although acknowledging the power of massed batteries to repel infantry assaults (such as at Malvern Hill or against Pickett's Charge in the Battle of Gettysburg), he urged his gun crews to fire slowly and deliberately and reprimanded them if they exceeded an average of one shot per minute. He believed that faster rates impaired accurate targeting and depleted ammunition faster than could be replenished. A story often told about Hunt was when he exclaimed to a gunner of a fast-firing gun, "Young man, are you aware that every round you fire costs $2.67?" Fast firing also implied to him that the gun crew was not brave enough to stand fast on the battlefield, wanting to get back behind the lines for resupply.

Read more about this topic:  Henry Jackson Hunt

Famous quotes containing the words artillery and/or doctrine:

    We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused—in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery—by which term we may designate the character of the greater portion of the newspaper press—their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.
    Edgar Allan Poe (1809–1845)

    What ails it, intrinsically, is a dearth of intellectual audacity and of aesthetic passion. Running through it, and characterizing the work of almost every man and woman producing it, there is an unescapable suggestion of the old Puritan suspicion of the fine arts as such—of the doctrine that they offer fit asylum for good citizens only when some ulterior and superior purpose is carried into them.
    —H.L. (Henry Lewis)