Henry Crimmel - Identity and Origins

Identity and Origins

In 1852, the Crimmel family emigrated from the Hessen region of what is now Germany to south Wheeling, Virginia. Wheeling had a German population that may have attracted the family. Immigrants from this time period often, upon arrival in the United States, would ride trains to Pittsburgh, Pennsylvania, and then ride in boats down the Ohio River to settle in cities along way. An alternative route to Wheeling (from Baltimore) involved the Baltimore & Ohio Railroad and/or the National Road. Although Hessians had been making glass since the Middle Ages, it is not known if the Crimmel family members learned glassmaking skills in Europe. However, Henry Crimmel’s father and both brothers were also glassmakers. Germans were being recruited to work in glass factories during the 1850s. By the 1870s, family members lived across the river from Wheeling in Bellaire, Ohio.

Read more about this topic:  Henry Crimmel

Famous quotes containing the words identity and, identity and/or origins:

    The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
    Terri Apter (20th century)

    Having an identity at work separate from an identity at home means that the work role can help absorb some of the emotional shock of domestic distress. Even a mediocre performance at the office can help a person repair self-esteem damaged in domestic battles.
    Faye J. Crosby (20th century)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)