Performance History
Albéniz conducted the premiere of Henry Clifford (under the title Enrico Clifford) in Barcelona at the Gran Teatro del Liceo on 8 May 1895. The singers included Emauel Suagnes in the title role, Angelica Nava as Lady Clifford, and Andrés Perellò de Segurola as Sir John Saint-John. Although the opera was originally written in English, Italian was standard at the Liceo, and an Italian libretto was supplied by Giuseppe M. Arteaga Pereira. The libretto was published in both English and Italian (Barcelona: J.B. Pujol, 1895). The work was given five performances with the final performance on May 12.
The opera was reconstructed and recorded in 2002 by the Spanish musicologist and conductor José De Eusebio. On 24 January 2009, he conducted the Orquesta Filarmónica de Gran Canaria in the world premiere performance of Henry Clifford with its original English libretto in the Auditorio Alfredo Kraus, Las Palmas de Gran Canaria. The performance was in concert version with John MacMaster as Henry Clifford, Ana María Sánchez as Lady Clifford, María Rey-Joly as Annie Saint-John, David Wilson-Johnson as Sir John Saint-John, and Larissa Diadkova as Lady Saint-John.
Read more about this topic: Henry Clifford (opera)
Famous quotes containing the words performance and/or history:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“Certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moments comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.”
—Henry David Thoreau (18171862)