Career
Later Laurens was drawn to a new gathering of artistic creativity in Montparnasse. From 1911 he began to sculpt in the Cubist style after meeting Pablo Picasso, Georges Braque, Juan Gris and Fernand Léger.
Multi-talented, Laurens worked with poster paint, and collage, was an engraver and created theatre design and decoration. In 1915 he illustrated a book for his friend, the author Pierre Reverdy.
In 1938 he shared an exhibition with Braque and Picasso that travelled to major Scandinavian cities. In 1947, he made prints for book illustrations. In 1948 he exhibited his art at the important international Venice Biennale. That same year, he exhibited at the Galerie d'Art Moderne in Basel, Switzerland.
A great many of his sculptures are massive objects. An example of this style is the monumental piece L'Amphion, created in 1952 for the Central University of Venezuela, Caracas after a request from the architect Carlos Raúl Villanueva.
Multi-talented, Laurens worked with poster paint and collage was an engraver and creasted theatre design and decoration. In 1915 Henri Laurens illustrated a book for his friend, the author Pierre Reverdy. In 1938 he shared an exhibition with Braque and Picasso that traveled to major Scandinavian cities. Later, in 1947, he made prints for book illustrations and in 1948 he showed his art at the important Venice Biennale That same year, he exhibited at the Galerie d'Art Moderne in Basel, Switzerland.
Laurens sculptural work influenced the work of architect Jørn Utzon, famous for the Sydney Opera House, in particular Laurens' tomb for an aviator designed for the cemetery of Montparnasse, Paris, in 1924.
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