Studio
The studio consists of 13 shooting bases with a total area of up to 330 ha. and building areas of 495,995 square meters. In addition to its huge scale, the studio also has several records which includes:
- Largest Indoor Buddha Figure in China.
- Largest Scale Indoor Studio.
- Most number of Films and Teleplay Shoots as of 2005.
One of the studio's largest buildings is the Imperial Palace Building built in the Early Chinese Dynasty style in the Qin and Han periods. That area is still frequently used to shoot movies based on these eras. The director Zhang Yimou used this building as the backdrop for the Emperor Qin's palace for his 2002 movie Hero. A Hong Kong TVB drama serial titled A Step into the Past which tells the story of the First Qin Emperor also used the same building as the main backdrop. The studio was also used to film The Forbidden Kingdom, the first on-screen collaboration between actors Jackie Chan and Jet Li.
The large number of movies being filmed at Hengdian has supported employment in surrounding villages by employing local villagers as 'extras' in these large movie sets.
Today, Hengdian World Studios consists of a theme park and has attractions such as Guangzhou and Hong Kong Street areas, Emperor Qin Palace, Dazhi Temple and Palace of the Ming and Qing Dynasties.
Read more about this topic: Hengdian World Studios
Famous quotes containing the word studio:
“The studio people want me to do “Good-bye Charlie” for the movies, but I’m not going to do it. I don’t like the idea of playing a man in a woman’s body—you know? It just doesn’t seem feminine.”
—Marilyn Monroe (1926–1962)
“Surely it is one of the requisites of a tasteful garb that the expression of effort to please shall be wanting in it; that the mysteries of the toilet shall not be suggested by it; that the steps to its completion shall be knocked away like the sculptor’s ladder from the statue, and the mental force expended upon it be swept away out of sight like the chips on the studio floor.”
—Elizabeth Stuart Phelps (1844–1911)
“The studio has become the crucible where human genius at the apogee of its development brings back to question not only that which is, but creates anew a fantastic and conventional nature which our weak minds, impotent to harmonize it with existing things, adopt by preference, because the miserable work is our own.”
—Eugène Delacroix (1798–1863)