Contemporary Role
Today, the Senate Square is one of the main tourist attractions of Helsinki. Various art happenings, ranging from concerts to snow buildings to controversial snow board happenings, have been set up on the Senate Square.
The United Buddy Bears exhibition, which was displayed in autumn of 2010 on the historic square, was the largest open air art show ever held in Finland.
Digital carillon music (Finnish: Senaatintorin ääni) is played daily at 17:49 at the Senate Square. The sound installation was composed by Harri Viitanen, composer and organist of Helsinki Cathedral, and Jyrki Alakuijala, Doctor of Technology. The optimal listening position is at the proximity of the Square's central monument, the bronze statue of Alexander II.
The broad flight of steps on the north side of the square, in front of the cathedral are so steep that unsuspecting visitors approaching the square from the north often assume that they are approaching a cliff edge: because the steps do not come into view until one is at the very top step, one experiences a moment of vertigo. Locals even refer to the point as the 'cliff edge.'.
American actor and film director Warren Beatty filmed scenes from his film Reds (1981) on the square — Helsinki playing the role of St. Peterburg — but without showing the Cathedral. The title sequence of John Huston's The Kremlin Letter (1970) was filmed over the square at night, including the silhouette of the Cathedral. Snowy night scenes from Jim Jarmusch's film Night on Earth (1991) were filmed on the square, but given the impression that there is a traffic roundabout at the centre. The opening sequence of the music video for "Sandstorm" by Darude was filmed on Senate Square, prominently featuring the Cathedral in the background.
Several buildings near the Senate Square are managed by the government real estate provider, Senate Properties.
Read more about this topic: Helsinki Senate Square
Famous quotes containing the words contemporary and/or role:
“Men are so charmed with valor that they have pleased themselves with being called lions, leopards, eagles and dragons, from the animals contemporary with us in the geologic formations.”
—Ralph Waldo Emerson (1803–1882)
“The trouble is that the expression ‘material thing’ is functioning already, from the very beginning, simply as a foil for ‘sense-datum’; it is not here given, and is never given, any other role to play, and apart from this consideration it would surely never have occurred to anybody to try to represent as some single kind of things the things which the ordinary man says that he ‘perceives.’”
—J.L. (John Langshaw)