Hell Divers - Production

Production

Based loosely on the earlier war epic, What Price Glory? (1926), "Lt. Comdr. Frank Wead, U.S.N. (Ret.)" is credited for the film's story.Wead was himself later portrayed by John Wayne in John Ford's movie biography The Wings of Eagles, in which footage of Hell Divers appears. Ford regular Jack Pennick has a small role in both, appearing uncredited in Hell Divers as a recruit sailor.

Principal aerial photography under the helm of cinematographer Charles A. Marshall took place in 1931 at North Island Naval Air Station in San Diego, California. The aircraft used in the film were the Curtiss F8C-4 variant, the first production variant to bear the nickname "Helldiver." A total of 25 F8C-4 aircraft were transferred to the U.S. Marine Corps shortly after the release of Hell Divers. The production received full cooperation from the US Navy Department, not only featuring the song (uncredited but considered the unofficial song of the US Navy), "Anchors Aweigh" (1906) (written by Charles A. Zimmerman, lyrics by Alfred Hart Miles and R. Lovell) in the opening credits but also a dedication to the naval aviators who made the film possible.

While a small number of miniatures stood in for the real aircraft, as well in a mock battle by airships attacking the Saratoga, the majority of the aerial scenes directed by Marshall, featured the actual Helldivers of VF-1B. Real events were woven into the film; footage of the historic 1928 landing of the airship USS Los Angeles aboard the carrier was also incorporated into the story. In addition to sequences filmed aboard the Saratoga at sea and in the Panama Canal, Hell Divers was filmed at the NAS North Island, as one of the first of a series of naval epics filmed there.

Read more about this topic:  Hell Divers

Famous quotes containing the word production:

    By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.
    Friedrich Engels (1820–1895)

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)

    The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.
    Albert Camus (1913–1960)