Helen Zelezny-Scholz - Works

Works

  • The Thoughtful, bronze, 1906, the castle Raduň
  • The Melancholia, 1906, bronze, 1906, the castle Raduň
  • Allegory of the Drama and Music, 1907, town theatre in Moravská Ostrava (smashed);
  • Alois Scholzes tomb with the Allegory of the Sorrow, 1908-9, Gratz;
  • Small statuette Charles van der Stappen 1909 (Her teacher for 4 years)
  • 2 Small statuettes and a bust Georg Brandes 1913. They travelled together to Tunis where the statuettes and bust were made during their fortnight stay there.
  • Allegory justice, 1914, judicial building, Fryštát;
  • tomb sculpture on the grave dr. Ostrčil, 1924, Praha-Olšany;
  • cenotaph, 1930, Těšín (smash);
  • The Common and Feast Days, bronze, 1933, gallery in Ostrava
  • Tomáš Garrigue Masaryk (1850–1937), bronze, 1933, Museum Silesie in Opava
  • The Slovak Family, bronze, 1933, the castle Raduň
  • cycle of 10 reliefs of the life the saintliness, 1936, church St. Hedvika, Opava;
  • Pope Paul VI, 1967

Zelezny has work maintained in the permanent collection of the castle Hradec nad Moravicí, several pieces in the Museum Silesie in Opava, some works in Gallery of the Fine Arts at the Museum of Fine Arts in Ostrava, and in the National Gallery in Prague in addition to private collections.

Her reliefs hang in the Church of St. Hedwig in Opava

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    My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.
    Hannah More (1745–1833)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
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    His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.
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