Helen of Troy (film) - Plot

Plot

The film retells the story of the Trojan War, albeit with some major changes from the Iliad's storyline: Paris of Troy (Jacques Sernas) sails to Sparta to secure a peace treaty between the two powerful city-states. His ship is forced to return to Troy in a storm after he has been swept overboard on the shore of Sparta, but Paris is found by Helen, Queen of Sparta (Rossana Podestà), with whom he falls in love. He goes to the palace where he finds Helen's husband, King Menelaus (Niall MacGinnis), Agamemnon (Robert Douglas), Odysseus (Torin Thatcher), Achilles (Stanley Baker) and many other Greek kings debating whether to go to war with Troy. Menelaus sees that Helen and Paris are in love and, pretending friendship, plots Paris' death.

Warned by Helen, Paris flees and, after they are both nearly caught by the Spartans, takes Helen with him to Troy. Under the pretense of helping Menelaus regain his honor, the Greeks unite, and the siege of Troy begins. Much blood is shed in the long ordeal, with the Trojans blaming their plight on Paris and Helen until it turns out that the Greeks are solely after Troy's riches, not Helen. The siege culminates in Greek victory through the ruse of the legendary Trojan Horse. While trying to flee, Helen and Paris are cornered by Menelaus. Paris faces the Spartan king in single combat, but just as he wins the upper hand he is stabbed from behind, denying him a fair trial by arms. Helen is forced to return with Menelaus, but she is serene in the knowledge that she will someday be reunited with Paris.

This project makes several departures from the original story, including showing Paris as a hero and great leader, and most of the Greek lords as treacherous and opportunistic pirates who are using Helen's flight as an excuse to win the treasures of Troy.

Read more about this topic:  Helen Of Troy (film)

Famous quotes containing the word plot:

    There saw I how the secret felon wrought,
    And treason labouring in the traitor’s thought,
    And midwife Time the ripened plot to murder brought.
    Geoffrey Chaucer (1340?–1400)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    Those blessed structures, plot and rhyme—
    why are they no help to me now
    I want to make
    something imagined, not recalled?
    Robert Lowell (1917–1977)