Heian Palace - Primary Sources

Primary Sources

While the palace itself has been completely destroyed, a significant amount of information regarding it has been obtained from contemporary and almost contemporary sources. The Heian Palace figures as a background for action in many Heian period literary texts, both fiction and non-fiction. These provide important information on the palace itself, court ceremonies and functions held there as well as everyday routines of the courtiers living or working there. Notable examples include the Tale of Genji by Murasaki Shikibu, the so-called Pillow Book by Sei Shōnagon and the chronicle Eiga Monogatari. In addition, paintings in certain emakimono picture scrolls depict (sometimes fictional) scenes that took place at the palace; the Genji Monogatari Emaki, dating from about 1130 is perhaps the best-known example. Finally, there are also partially damaged contemporary maps of the palace from the 10th and 12th centuries showing the layout and function of the buildings within Dairi.

In addition to literary evidence, archaeological excavation conducted mainly since the late 1970s have revealed further information about the palace. In particular, the existence and location of buildings such as the Buraku-in compound has been verified against the contemporary documentary sources.

Read more about this topic:  Heian Palace

Famous quotes containing the words primary sources, primary and/or sources:

    A fact is a proposition of which the verification by an appeal to the primary sources of our knowledge or to experience is direct and simple. A theory, on the other hand, if true, has all the characteristics of a fact except that its verification is possible only by indirect, remote, and difficult means.
    Chauncey Wright (1830–1875)

    A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment.
    Lionel Trilling (1905–1975)

    The American grips himself, at the very sources of his consciousness, in a grip of care: and then, to so much of the rest of life, is indifferent. Whereas, the European hasn’t got so much care in him, so he cares much more for life and living.
    —D.H. (David Herbert)