Cultural References
"Hedgehog's Dilemma" is the name of an experimental/electronic project started by Timothy Hester from Stockton, California.
In Qian Zhongshu's novel Fortress Besieged, a character explicitly deliberates about the dilemma.
"The Hedgehog Dilemma" is the title of the debut EP from hip-hop artist Alex Frecon.
Hedgehog's Dilemma is the title of a song and EP by Jani Galbov (Maxis).
"Hedgehog's Dilemma" is the title of a two-part song spanning the second and third tracks of The Postman Syndrome's release "Terraforming."
"Porcupine's Dilemma" is the title of a poem by Stephen Wack which examines the attempt at integration of retaining distance while being involved with love and relationships.
In the movie The Thomas Crown Affair, Crown compares his relationship with Banning to "porcupines mating" in a session with his psychiatrist.
"The Hedgehog's Song" is a song by The Incredible String Band, on their album "5000 Spirits or the Layers of the Onion"
"Robotman" is a song by the pillows on their album "Thank You, My Twilight", which contains a reference with the lyrics "hedgehog's dilemma" in English.
The theme of the hedgehog’s dilemma was reprised in the Italian song "Istrice" (Italian word for "hedgehog") by Turinese band Subsonica in 2011.
"Hedgehog's Dilemma" is the English name of the fourth episode of the anime Neon Genesis Evangelion, in reference to Shinji's struggles in forming relationships with people.
"The Hedgehog Song" occurs frequently in Terry Pratchett's Discworld novels.
"The Hedgehog's Love" is a song by Vocaloid, Hatsune Miku, of which she sings about the Hedgehog Dilemma.
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Famous quotes containing the word cultural:
“Unfortunately there is still a cultural stereotype that it’s all right for girls to be affectionate but that once boys reach six or seven, they no longer need so much hugging and kissing. What this does is dissuade boys from expressing their natural feelings of tenderness and affection. It is important that we act affectionately with our sons as well as our daughters.”
—Stephanie Martson (20th century)