Critical Interpretation
Joseph Wood Krutch makes a connection between Hedda Gabler and Freud, whose first work on psychoanalysis was published almost a decade later. In Krutch's analysis, Gabler is one of the first fully developed neurotic female protagonists of literature. By that, Krutch means that Hedda is neither logical nor insane in the old sense of being random and unaccountable. Her aims and her motives have a secret personal logic of their own. She gets what she wants, but what she wants is not anything that the normal usually admit, publicly at least, to be desirable. One of the significant things that such a character implies is the premise that there is a secret, sometimes unconscious, world of aims and methods — one might almost say a secret system of values — that is often much more important than the rational one.
Joan Templeton makes a connection between Hedda Gabler and Hjørdis from The Vikings at Helgeland, since the arms-bearing, horse-riding Hedda, married to a passive man she despises, indeed resembles the "eagle in a cage" that Hjørdis terms herself.
Bernard Paris interprets Gabler's actions as stemming from her "need for freedom as compensatory as her craving for power... her desire to shape a man's destiny."
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