Alternate Productions, Tribute and Parody
An operatic adaptation of the play has been produced by Shanghai's Hangzhou XiaoBaiHua Yue Opera House.
An adaptation with a lesbian relationship was staged in Philadelphia in 2009 by Mauckingbird Theatre Company.
A turkey living in Morningside Park, New York City, was named Hedda Gobbler.
A prostitute in the feature film Tristram Shandy: A Cock and Bull Story is named Hedda Gobbler.
The 2009 album Until the Earth Begins to Part by Scottish folk indie-rock band Broken Records features a song, "If Eilert Løvborg Wrote A Song, It Would Sound Like This".
John Cale, Welsh musician and founder of American rock band The Velvet Underground, recorded a song "Hedda Gabler" in 1976, included originally on the 1977 EP Animal Justice (now a bonus track on the CD of the album Sabotage). He performed the song live in London (5 March 2010) with a band and a 19 piece orchestra in his Paris 1919 tour. The song was covered by the British neofolk band Sol Invictus for the 1995 compilation Im Blutfeuer (Cthulhu Records) and later included as a bonus track on the 2011 reissue of the Sol Invictus album In The Rain.
The Norwegian hard-rock band Black Debbath recorded the song "Mötorhedda Gabler" on their Ibsen-inspired album Naar Vi Døde Rocker ("When We Dead Rock").
The original play Heddatron by Elizabeth Meriwether melds Hedda Gabler with a modern family’s search for love despite the invasion of technology into everyday life.
Read more about this topic: Hedda Gabler
Famous quotes containing the words alternate, tribute and/or parody:
“I alternate between reading cook books and reading diet books.”
—Mason Cooley (b. 1927)
“In the hope that it may be no intrusion upon the sacredness of your sorrow, I have ventured to address you this tribute to the memory of my young friend, and your brave and early fallen child. May God give you that consolation which is beyond all earthly power.”
—Abraham Lincoln (1809–1865)
“Why does almost everything seem to me like its own parody? Why must I think that almost all, no, all the methods and conventions of art today are good for parody only?”
—Thomas Mann (1875–1955)