Typographical Details
All forms of Hebrew type were used in this period, the square, the Rashi or rabbinic (in which the first dated work was entirely printed), and the so-called "Weiberteutsch" (in which the later Yiddish works were printed); a primitive form of this last had already been used in the Psalms of 1477. Different sizes of type were used as early as the Ṭurim of Piove di Sacco, which uses no less than three. The actual fonts have not yet been determined, and until this is done no adequate scientific treatment of the subject is possible. A beginning, however, has been made by Proctor. Generally speaking, a more rounded form was used in Spain and Portugal (perhaps under the influence of Arabic script) than in the Italian presses, whose types were somewhat Gothic in style. It has been conjectured that the Spanish printers used logotypes in addition to the single letters. The Soncinos and Alantansis used initials, in other presses vacant spaces were left for them to be inserted by hand. Vowel-points were only used for Scripture or for prayer-books, and accents seem to have been inserted for the first time in the Bologna Pentateuch of 1482 (25). Special title-pages were rare; colophons were usually short. Borders were used by the Soncinos, as well as by Toledano at Lisbon and D'Ortas in the Ṭur of 1495 (see Borders; Colophon; Title-Page). Illustrations were only used in one book, the "Mashal ha-Ḳadmoni" (75). Printers' marks appear to have been used only in Spain and Portugal, each of the works produced in Ixar having a different mark. Of the number of copies printed for an edition the only detail known is that relating to the Psalms with Ḳimḥi in 1477, of which three hundred were printed. If this number applies to many of the incunabula, it is not surprising that they are extremely rare at the present day. Twenty of them exist only in a single copy; most of the rest are imperfect through misuse or have been disfigured by censors.
Read more about this topic: Hebrew Incunabula
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