Heart of The Ocean - in Popular Culture

In Popular Culture

  • In "American Dad" episode "The Magnificent Steven", at one point Roger is "drawing nude wearing the Heart of the Ocean".
  • In the Futurama episode "A Flight to Remember" – a parody of Titanic – the robot Bender's aristocrat love interest owns an enormous diamond on a chain. After she sacrifices herself to save the rest of the group, the diamond is all Bender has to remind himself of her, but quickly loses interest when Hermes Conrad determines it to be a fake.
  • In the 2004 animated film, Shark Tale, Lino throws Sykes into the picture of Rose that Jack drew of her wearing the Blue Heart Of The Ocean.
  • In the Britney Spears music video "Oops!... I Did It Again," an astronaut gives the necklace to Britney, who says, "But I thought the old lady dropped it into the ocean in the end?" The astronaut replies: "Well baby, I went down and got it for you." Then the song goes on.
  • In The Simpsons episode "The Old Man and the 'C' Student", there is a parody scene in which Smithers is drawing Mr. Burns, as Jack drew Rose, on a yacht, in which he draws Mr. Burns in the nude wearing the necklace.
  • The NewsRadio episode Sinking Ship is a parody of Titanic. Dave gives the necklace to Lisa for her birthday, who says, "It's a bit much."
  • In the 2003 movie Bruce Almighty, Bruce Nolan, aboard the Maid of the Mist at Niagara Falls, asks a woman he refers to as "Katharine Hepburn's mom", "Tell me, why did you toss the "blue heart of the ocean" jewel over the railing of Titanic?"

Read more about this topic:  Heart Of The Ocean

Famous quotes containing the words popular culture, popular and/or culture:

    “Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
    —Mason Cooley (b. 1927)

    “But popular rage,
    Hysterica passio dragged this quarry down.
    None shared our guilt; nor did we play a part
    Upon a painted stage when we devoured his heart.”
    —William Butler Yeats (1865–1939)

    “Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
    —Lionel Trilling (1905–1975)