He Thinks He's Ray Stevens was Ray Stevens' twenty-first studio album and his first for MCA Records, released in 1984. The front of the album cover shows Stevens spoofing French emperor Napoleon Bonaparte.
The track "Mississippi Squirrel Revival" is the only Top 40 single from this album, reaching No. 20 on Hot Country Singles (now Hot Country Songs) in early 1985. Stevens uses comic storytelling to frame what occurs when a young adolescent boy catches a squirrel (while visiting his grandmother in Pascagoula, Mississippi), brings it into church, where several self-righteous members – all with sinful secrets to hide – are prominent members ... and the squirrel breaks loose from a box the boy has kept it in. As the squirrel wreaks havoc, several members admit to their fellow congregation members their faults, and by song's end they all make a vow to change.
"Furthermore" is a re-recording and partial rewrite of Stevens' 1962 single of the same name. "The Monkees (Theme From)" is a cover of the theme song to The Monkees but sung by Ray in broad German dialects under the guise of two fictional singers, Wolfgang and Fritzy. This album also marked the debut of "It's Me Again, Margaret," a chart single about an obscene phone caller.
A re-release on CD on August 15, 1992 (MCAD-20688), titled Mississippi Squirrel Revival, featured this album's first eight tracks in a different order.
Read more about He Thinks He's Ray Stevens: Track Listing, Personnel
Famous quotes containing the words thinks, ray and/or stevens:
“Whensoever any affliction assails me, me thinks I have the keyes of my prison in mine owne hand, and no remedy presents it selfe so soone to my heart, as mine own sword. Often meditation of this hath wonne me to a charitable interpretation of their action, who dy so: and provoked me a little to watch and exagitate their reasons, which pronounce so peremptory judgements upon them.”
—John Donne (c. 1572–1631)
“Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.”
—Ralph Waldo Emerson (1803–1882)
“There is a great river this side of Stygia,”
—Wallace Stevens (1879–1955)