Musical Career
Nicknamed "The Haze," Adkins claimed a repertoire of over 9,000 songs, including over 7,000 original compositions (though it has been said he has been known to have grossly exaggerated these figures), recorded scores of small, micro-label 45s, and is responsible for the birth of Norton Records, Psychobilly, and a dance called "The Hunch".
He was well known for shrieking certain catchphrases, such as "hot dogs," "I want your head," "Gimme that commodity meat", and "AaaaaaaaaaaaaHeeeeeeeeeeee-Wooo!!!!"
Recurring themes in Adkins' work include love, heartbreak, police, death, decapitation, hot dogs, aliens, and chicken. Adkins often noted in interviews that his primary heroes and influences were Hank Williams Sr., Jimmie Rodgers, Little Richard, and Col. Harlan Sanders, the inventor of Kentucky Fried Chicken.
Some of his best-known songs are "She Said," "No More Hot Dogs," "My Blue Star," "The Hunch," "Beautiful Hills," "We Got A Date," "Chicken Walk", and "Sally Weedy Waddy Woody Wally." For the most part, Adkins recorded his own songs, though Peanut Butter Rock and Roll includes covers of "Blue Suede Shoes" and "Day-O (The Banana Boat Song)".
Adkins recorded an entire album devoted to chicken entitled Poultry in Motion that included such songs as "Chicken Run," "Chicken Hop," "Chicken Flop," "Chicken Wobble," and "Chicken On The Bone."
In addition to making many albums and CDs, Adkins also appeared in several movies and television shows.
Adkins was also the subject of the Julien Nitzberg documentary The Wild World Of Hasil Adkins, distributed by Appalshop.
Read more about this topic: Hasil Adkins
Famous quotes containing the words musical and/or career:
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)