Move To Production
Following his work with ABC, Bennett moved over to production. His first project was to develop a television show with producer Aaron Spelling called The Mod Squad, which Bennett produced from 1968 until 1973.
Following The Mod Squad, Bennett joined Universal Studios where he produced a variety of television series and miniseries. The best known of these series are probably The Six Million Dollar Man and The Bionic Woman. Other series and mini-series he produced at Universal include Rich Man, Poor Man, The Invisible Man (1975 series), and Gemini Man.
Bennett then moved to Columbia Pictures Television where he continued as a television producer. His projects at Columbia Pictures included the series Salvage 1 and the mini-series The Jesse Owens Story and A Woman Called Golda, which was Ingrid Bergman's final role and which co-starred Leonard Nimoy.
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Famous quotes containing the words move to, move and/or production:
“America is not so much a nightmare as a non-dream. The American non-dream is precisely a move to wipe the dream out of existence. The dream is a spontaneous happening and therefore dangerous to a control system set up by the non-dreamers.”
—William Burroughs (b. 1914)
“The great God endows His children variously. To some he gives intellect—and they move the earth. To some he allots heart—and the beating pulse of humanity is theirs. But to some He gives only a soul, without intelligence—and these, who never grow up, but remain always His children, are God’s fools, kindly, elemental, simple, as if from His palette the Artist of all had taken one color instead of many.”
—Mary Roberts Rinehart (1876–1958)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)