Harry Burleigh - Singing Career

Singing Career

Burleigh began his singing career as the baritone in his family’s quartet. By the time Burleigh left Erie in January 1892, he was singing with the city’s best vocalists at civic events and church gatherings. At the end of the summer of 1892, Burleigh gave a performance in the Adirondacks, at North Hudson, New York, as the featured soloist in “the summer school for Christian workers.” Nine months after arriving in New York City, Burleigh appeared in two Grand Encampment Concerts at the Metropolitan Church in Washington, D.C. as “the celebrated Western baritone.”

In 1894, he became a soloist for St. George's Episcopal church in New York City. There was opposition to hiring Burleigh at the all-white church from some parishioners, because of his race, at a time when other white New York Episcopal churches were forbidding black people to worship. J. P. Morgan, a member of St. George's at that time, cast the deciding vote to hire Burleigh. In spite of the initial problems obtaining the appointment, Burleigh became close to many of the members during his long tenure as a soloist at the church. In the late 1890s, Burleigh gained a reputation as a concert soloist, singing art songs, opera selections, as well as African American folk songs. From 1900 to 1925, Burleigh was also a member of the synagogue choir at the Temple Emanu-El in New York, the only African-American to sing there.