Harold Pinter Bibliography - Works

Works

"Apart From That". Areté 20 (Spring/Summer 2006): 5–8. Print.
Art, Truth and Politics: The Nobel Lecture. Presented on video in Stockholm, Sweden. 7 December 2005. Nobel Foundation and Swedish Academy. Published as "The Nobel Lecture: Art, Truth & Politics". NobelPrize.org. Nobel Foundation, 8 December 2005. Web. 2 October 2007. (RealPlayer streaming audio and video as well as text available). London: Faber and Faber, 2006. ISBN 0-571-23396-1 (10). ISBN 978-0-571-23396-0 (13). Rpt. also in The Essential Pinter. New York: Grove, 2006. (Listed below.) Rpt. also in PMLA: Publications of the Modern Language Association 121 (2006): 811–18. Print. Rpt. also in Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008 285–300. Print.
"Art, Truth and Politics: The Nobel Lecture". Guardian. Guardian Media Group, 2 October 2007 and 8 December 2005 World Wide Web. 2 October 2007 and 7 May 2009.
The Birthday Party, The Caretaker, The Homecoming, Landscape, Old Timesand Celebration. In The Essential Pinter. New York: Grove, 2006. ISBN 0-8021-4269-9 (10). ISBN 978-0-8021-4269-6. Print.
"Campaigning Against Torture: Arthur Miller's Socks" (1985). ("Written as a tribute to Arthur Miller, on the occasion of his 80th birthday".) HaroldPinter.org. Harold Pinter, 3 July 2006. Web. 2 October 2007. Rpt. in Various Voices 56-57.
—. The Caretaker and The Dumb Waiter: Two Plays by Harold Pinter. 1960. New York: Grove, 1988. ISBN 0-8021-5087-X (10). ISBN 978-0-8021-5087-5 (13). Print.
Celebration and The Room. London: Faber, 2000. ISBN 0-571-20497-X (10). ISBN 978-0-571-20497-7 (13). Print.
Death etc. New York: Grove, 2005. ISBN 0-8021-4225-7 (10). ISBN 978-0-8021-4225-2 (13). Print.
The Dwarfs. New York: Grove, 2006. ISBN 0-8021-3266-9. ISBN 978-0-8021-3266-6 (13). Print.
The Essential Pinter: Selections from the Work of Harold Pinter. New York: Grove, 2006. ISBN 0-8021-4269-9 (10). ISBN 978-0-8021-4269-6 (13). Print.
The Hothouse: A Play by Harold Pinter. New York: Grove (Distributed by Random House), 1980. ISBN 0-394-51395-9 (10). ISBN 978-0-394-51395-9 (13). ISBN 0-394-17675-8 (10). ISBN 978-0-394-17675-8 (13). ISBN 0-8021-3643-5 (10). ISBN 978-0-8021-3643-5 (13).
Four Plays: The Birthday Party; No Man's Land; Mountain Language; Celebration. London: Faber, 2005. ISBN 0-571-23227-2 (10). ISBN 978-0-571-23227-7 (13). Print. Nobel Prize for Literature 2005".]
Moonlight. New York: Grove, 1994. ISBN 0-8021-3393-2 (10). ISBN 978-0-8021-3393-9 (13). Print.
One for the Road. New York: Grove (Evergreen paperback), 1986. ISBN 0-394-62363-0 (10). ISBN 978-0-394-62363-4 (13). ISBN 0-394-54575-3 (10). ISBN 978-0-394-54575-2 (13). Print.
Various Voices: Prose, Poetry, Politics 1948-2005. Rev. ed. 1998. London: Faber, 2005. ISBN 0-571-23009-1 (10). ISBN 978-0-571-23009-9 (13). Print.
Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. 1998, 2005. London: Faber, 2009. ISBN 978-0-571-24480-5. Print.
"Voices: Text by Harold Pinter and Music by James Clarke". Through the Night. BBC Radio 3, Speech and Drama, 10 October 2005, 9:30-10:15 p.m. (LT). Web. 10 October 2005 . Repeated on 30 December 2006. (RealPlayer audio no longer accessible.) "BBC Press Office: Programme Information Network Radio Week 1". BBC Press Office. BBC, 10 October 2005. Web. 3 January 2009. (Re-broadcast with Moonlight, as part of Harold Pinter Double Bill, on 15 February 2009, as listed below in #Multimedia resources.)
War. London: Faber, 2003. ISBN 0-571-22131-9 (10). ISBN 978-0-571-22131-8 (13). Print. (Book revs. by Gardner and Brown.)

Read more about this topic:  Harold Pinter Bibliography

Famous quotes containing the word works:

    A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.
    Vladimir Nabokov (1899–1977)

    In saying what is obvious, never choose cunning. Yelling works better.
    Cynthia Ozick (b. 1928)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)