Structure
A typical Harold is 25 to 40 minutes. Given three unrelated scenes A, B, and C, the structure follows:
- Opening
- Scenes A1, B1, C1
- Group Game
- Scenes A2, B2, C2
- Group Game
- Scenes A3, B3, C3 (Note: In the final set of scenes, not all three will always return. Players are encouraged to call back the most interesting scenes and characters from the Harold, and also to intertwine them.)
Close called this a 3x3 structure, using it to give improvisers a sense of organization to help them through their first Harolds. He was clear that the format was theirs to use. Departures were not only allowed but were considered important steps in developing a group's ability to Harold. He expressed this in his book Truth in Comedy noting that "the first rule is: there are no rules." In performing Harolds, content and the need to develop an organic commentary on the suggestion trump predetermined structures.
Various Harold structures use different sets of guidelines such as the 3x3 format. Another guideline might be whether you stay as the first character you create or can play multiple characters. Or, that the ending is a group scene. Or, that everyone knows each other and scene partnerships may change from the first to second and second to third layers.
The loose structure allows for the creative bursts necessary for the Harold. Using an audience suggestion, actors explore their relationship to the topic as a starting point. The scenes progressively evolve as the exploration continues to an ending point.
Read more about this topic: Harold (improvisation)
Famous quotes containing the word structure:
“A committee is organic rather than mechanical in its nature: it is not a structure but a plant. It takes root and grows, it flowers, wilts, and dies, scattering the seed from which other committees will bloom in their turn.”
—C. Northcote Parkinson (1909–1993)
“A special feature of the structure of our book is the monstrous but perfectly organic part that eavesdropping plays in it.”
—Vladimir Nabokov (1899–1977)
“The structure was designed by an old sea captain who believed that the world would end in a flood. He built a home in the traditional shape of the Ark, inverted, with the roof forming the hull of the proposed vessel. The builder expected that the deluge would cause the house to topple and then reverse itself, floating away on its roof until it should land on some new Ararat.”
—For the State of New Jersey, U.S. public relief program (1935-1943)