Literary Career
Brodkey's career began promisingly with the short story collection First Love and Other Sorrows, which received widespread critical praise at the time of its 1958 publication. Soon thereafter, in 1964, Brodkey signed a book contract with Random House for his first novel, titled A Party of Animals (it was also referred to as The Animal Corner). The unfinished novel was subsequently resold to Farrar, Straus & Giroux in 1970, and later to Knopf in 1979. During this period, Brodkey published a number of stories, most of them in the New Yorker, that dealt with a set of recurring characters—the evidently autobiographical Wiley Silenowicz and his adoptive family—and which were announced as fragments of the novel. His editor at Knopf, Gordon Lish, called the novel in progress "the one necessary American narrative work of this century." Literary critic Harold Bloom declared "If he's ever able to solve his publishing problems, he'll be seen as one of the great writers of his day."
In addition to publishing, Brodkey earned a living during this period by writing television pilot scripts for NBC, and teaching at Cornell University. Three long stories from A Party of Animals were collected in Women and Angels (1985), and a larger number (including those three) in 1988's Stories in an Almost Classical Mode. Evidently Brodkey had decided to omit them from the novel, for when in 1991 he published The Runaway Soul, a very long (835-page) novel dramatizing Wiley's early life, no material from Stories in an Almost Classical Mode was included. The novel seems to be either A Party of Animals under a new title or the first volume of an eventual multi-volume work. Brodkey made some comments that suggested the latter, but no further material was published in his lifetime, or has been since.
Read more about this topic: Harold Brodkey
Famous quotes containing the words literary and/or career:
“The purifying, healing influence of literature, the dissipating of passions by knowledge and the written word, literature as the path to understanding, forgiveness and love, the redeeming might of the word, the literary spirit as the noblest manifestation of the spirit of man, the writer as perfected type, as saint.”
—Thomas Mann (18751955)
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)