Characters
Dr. Jeffrey Rhodes is a painstakingly thorough anesthesiologist whose patient dies after he administers a routine drug. Brought to trial and found guilty of negligence and murder, he faces a probable jail sentence. Rather than go to prison, he jumps bail and is nearly caught at the airport by a bounty hunter. Dr. Rhodes sets off to track down what caused the inexplicable reaction in his patient. While trying to justify his professional competence, he stumbles across a lead—notes left by a Dr. Christopher Everson, who committed suicide soon after being ruined by a case similar to his own. Rhodes enlists the aid of nurse Kelly Everson, Everson's widow, to gather the evidence he needs to clear himself. Dr. Rhodes combines sharp wits with good luck as he assumes a false identity to uncover details of the scheme that has caused his downfall. He infiltrates his old place of employment, visits the morgue and coroner, and even manages to have a corpse exhumed illegally—all while the police are searching for him. The character of nurse Everson is not well developed but provides Rhodes with someone to turn to as he tries to avoid the police. The romance that develops between them is all too predictable.
Devlin O'Shea, the bounty hunter, complicates Rhodes's life by pursuing him after he jumps bail. Turning up at unexpected times and places, he is responsible for much of the novel's suspense. An ex-cop dismissed from the force because of an error in judgment, he eventually comes to identify with Rhodes's plight. Trent Harding is an unstable nurse, whose weak gender identity, hatred of authority, and need to bolster his self-image, make him susceptible to an unscrupulous law firm's offer of employment.
Read more about this topic: Harmful Intent (novel)
Famous quotes containing the word characters:
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)
“The major men
That is different. They are characters beyond
Reality, composed thereof. They are
The fictive man created out of men.
They are men but artificial men.”
—Wallace Stevens (1879–1955)