Tune
In 1855, English musician William H. Cummings adapted Felix Mendelssohn's secular music from Festgesang to fit the lyrics of "Hark! The Herald Angels Sing" written by Charles Wesley. Wesley envisioned the song being sung to the same tune as his song Christ the Lord Is Risen Today, and in some hymnals, is included along with the more popular version.
This hymn was regarded as one of the Great Four Anglican Hymns and published as number 403 in "The Church Hymn Book" (New York and Chicago, USA, 1872).
In the UK, Hark! The Herald Angels Sing has popularly been performed in an arrangement that maintains the basic original William H. Cummings harmonisation of the Mendelssohn tune for the first two verses but adds a soprano descant and a last verse harmonisation for the organ in verse 3 by Sir David Willcocks. This arrangement was first published in 1961 by Oxford University Press in the first book of the Carols for Choirs series. For many years it has served as the recessional hymn of the annual Service of Nine Lessons and Carols in King's College Chapel, Cambridge.
An uncommon arrangement of the hymn to the tune "See, the Conqu'ring hero comes" from Judas Maccabaeus (Handel) normally associated with the hymn Thine Be the Glory is traditionally used as the recessional hymn of the Festival of Nine Lessons and Carols from St Patrick's Cathedral, Dublin. This is broadcast live each year on Christmas Eve on RTÉ Radio 1. The usual (first) three verses are divided into six verses each with chorus. The arrangement features a brass fanfare with drums in addition to the cathedral organ and takes about seven and a half minutes to sing. The Victorian organist W. H. Jude, in his day a popular composer, also composed a new setting of the work, published in his Music and the Higher Life.
Read more about this topic: Hark! The Herald Angels Sing
Famous quotes containing the word tune:
“But since Thy loud-tongu’d Blood demands Supplies,
More from BriareusHands, than Argus Eyes,
I’ll tune Thy Elegies to Trumpet-sounds,
And write Thy Epitaph in Blood and Wounds!”
—James Graham Marquess of Montrose (1612–1650)
“But ice-crunching and loud gum-chewing, together with drumming on tables, and whistling the same tune seventy times in succession, because they indicate an indifference on the part of the perpetrator to the rest of the world in general, are not only registered on the delicate surfaces of the brain but eat little holes in it until it finally collapses or blows up.”
—Robert Benchley (1889–1945)
“School days, school days; dear old golden rule days.
Readin’ and ‘ritin’ and ‘rithmetic; taught to the tune of a hick’ry stick.”
—Will D. Cobb (1876–1930)